Editorial byline
Marcus Sullivan is the editorial byline used for LogicPros guides, not a public personal résumé. The work is checked against current Apple and vendor documentation, and version-sensitive corrections are recorded on the site. Read exactly how the guides are checked.
Plug the guitar into an audio interface, choose the right input on a mono track, set the level on the interface, pick one way to hear yourself, add Amp Designer and find the input button when it’s missing.
Pull regions together with Shuffle Left, keep gaps from opening while you edit, cut whole bars out of a song, or fill the space instead when the timing has to stay.
Set up Logic’s stock Pitch Correction for natural or hard-tuned vocals, keep it from fighting your melody, and commit the sound when you’re done.
What the CoreMIDI alert means, the order to isolate devices and drivers, and the forum fixes worth skipping.
Start with supplied MIDI processors, make a useful controller assignment and keep Scripter output as editable MIDI without writing a script from scratch.
Give MIDI or audio regions a shared rhythmic feel, control how much timing changes, and keep groove templates working when you reuse them.
Build a usable articulation map for your orchestral patch, separate incoming switches from library output, and assign the right technique to recorded MIDI notes.
Export a Logic Pro mix to a movie, choose the right source audio tracks, prevent sync drift and verify the finished file before delivery.
Capture a software instrument or hardware synth with Logic Pro Auto Sampler, then verify mapping, loops and sample files before you rely on the patch.
Set up a native Dolby Atmos project in Logic Pro, route beds and objects correctly, check binaural translation and export the ADM BWF master.
Route kick, snare and hats to separate Logic Pro aux channels, mix them independently, and export the result without losing the instrument workflow.
Record clean hi-hat rolls and rhythmic MIDI parts with Note Repeat, controller mapping and Key Remote.